Dirty little secret

Every few months, it wallops me upside the head.

What is it, you ask? Nothing good, that’s for sure. It’s the fear that, even after years of writing — and getting a degree in journalism, I still don’t have a clue what I’m doing.

The familiar foe hit me again this weekend. My local RWA chapter, NARWA, hosted Erin Quinn for morning and afternoon workshops.

After lunch, she talked about creating a setting so strong that it’s really a character. (Think the storms in “Wizard of Oz” or the jungle in “Jurassic Park,” she said.)

The comment that stuck with me most was this: “If at the end of the scene, you could pluck the players and dialog out and plant them anywhere else without some major work, you haven’t done your job.”

Uh-oh. If that’s true, I’m in trouble. Many of my characters’ conversations — witty, laugh-packed chats — take place in restaurants or other standard “date” places … generic, could-be-anywhere places.

I think this is where my training in journalism serves me ill. When you’re writing a news story, you relay quotes and  facts … not take note of how birds flitted past overhead while your source was speaking, or how his eyes were the exact same shade of periwinkle as his sweater.

Heck … a journalist probably wouldn’t even use “periwinkle.” Don’t use a $10 word when a 10-cent one (blue) gets the point across just as well.

As a result, my prose is relatively straightforward. “He laughed.” “She wrinkled her nose.” “He bolted upright so fast he nearly fell out of his hammock.”

You get the idea.

My GH entries may need more help than I think. Good thing I still have some time to make ’em shine.

I did it

It’s not Monday, but I finally got around to doing what I said I would: I submitted two queries on “Beauty and the Ballplayer.”

Now, I wait … and continue to work on perfecting the GH entries … and write some more on Bethany & Cody’s story.

For some reason, I’m finding it hard to focus just on the Golden Heart entries. Seems that, this year, I don’t have nearly as much work to do. Last year, I had to do some substantial editing and rewriting on Brad & Erin’s tale.

This time around, I have decent synopses written for both my entries, and the entries themselves are in pretty good shape.

Or maybe I’m just getting too cocky … 😉

Silly stumbling block

One of the goals I set out at our July NARWA meeting was to send at least two queries on “Beauty and the Ballplayer.”

Well, it’s still not done, even though the meeting is a week away. What’s stopping me?

It’s ridiculous, really. I keep telling myself (rather stupidly) that if I submit a query now, and they like it (really LIKE it), I won’t be eligible for the Golden Heart.

See? I told you it was ridiculous.

Really. What would be better in the long run? Becoming a published author or entering the Golden Heart again (and potentially not winning a darn thing)?

So first thing Monday morning, I’m sending out those two queries — one directly to Harlequin, since it’s a category novel, and one to an agent who represents such things. (I just need to check my list to see which ones do.)

What inspires me?

You often hear writers say their story ideas come from the strangest places.

I’m not so sure that’s true. Ideas are all around us … all we have to do is open our eyes (and ears) to the possibilities.

The initial idea for “Blind Date Bride” came from a news story I heard on the radio back when I still lived in Logansport, Indiana. I first wrote its opening scene as a one-act play. I’m not sure if it ever got produced by the Logansport theater company, because I moved away before the one-act festival.

But once the idea lodged itself in my brain, the story was too good to ignore. I fleshed it out beyond the church basement, where the hero and heroine argue with their respective friends (who entered them in a wedding contest even though neither of them were in the market for a spouse ‚ even a temporary one). I put them (reluctantly) in the same apartment for 90 days, fully expecting some hairy situations to come up. I gave them pasts and a future (together).

My current WIP, “Trouble in Paradise?”, features the best friends from Kari & Damien’s story. They actually started dating at Kari & Damien’s fake wedding — and got more action on the wedding night than our hapless bride and groom. When one of the first people to read “Blind Date Bride” said, “Bethany and Cody should have their own story”, my imagination was off and running.

My first manuscript, “Operation Snag Mike Brad,” was inspired by my crush on a coworker (who became the basis for pseudo-playboy Mike James). Cassie & Dustin’s and Bree & Mike’s stories grew from that first MS, though they’ve both taken on lives of their own beyond the original story (at least I hope they have).

“Operation Snag Mike Brad” also inspired the story I plan to write for this year’s NaNoWriMo. It’s the story of Brad’s brother, Kenny, who turns up at Erin’s first Kingston family dinner with a fake fiancee in tow. (The fake-out’s his desperate attempt to get his matchmaking Ma off his back.)

I honestly can’t remember where the ideas for Meg & Matt’s or Drew & Lainy’s stories came from. (The character of Drew is loosely based on another guy I once worked with, so he probably gave me a germ of inspiration.) His story is set in a fictional high school on the other side of the (also fictional) major town in my first three manuscripts. Meg & Matt’s story is the only one set where I live now, Arizona.

On the drive through New Mexico while I was on my summer vacation I had an idea from a road sign, compounded by something I saw on the side of the road a few miles later. It’s still a nebulous, unformed idea, but I jotted it down. Maybe it’ll develop into something more … and maybe not. But at least it’s a possibility.

Heck, I even had an idea when I heard Gary Coleman had died. I haven’t done a lot of development on it, either … but it kind of fits with my other TV-related stories.

OK … that’s a little weird. Maybe story ideas DO come from the strangest places, after all.

Where’s the weirdest place you’ve gotten a story idea?

On editing

I wrote this post for the Editor’s Note in the Sept./Oct. issue of the NARWA newsletter, High Country Highlights.  However, I liked it too much not to share it here on the blog, too.

Since I’m trying to get in edit-mode for the Golden Heart, the subject is dear to me right now. Here goes:

When it comes to progress on my writing, July and August have pretty much been a wash for me.

A vacation from the day job ended up being a break from writing, too. This happened despite the fact that I toted a big binder full of “Blind Date Bride” with me.

It never even left the (very heavy) suitcase. And the few times I found myself with computer time, I spent it catching up on my blog reading (and writing) … and, of course, Twitter.

How did the world ever get along without new tweets to read every few minutes?

At the risk of sounding like a fogey, I’ll say we were all probably a lot less distracted.

But change is good, so we all need to embrace the technology of the future. Right?

Right.

I’ve recently discovered that I don’t like change all that much. Oh, I suppose I should have realized this about myself years ago, when I balked every time the school cafeteria tried to serve me waffles and sausage for lunch … or when the thought of changing the way we do something at work makes me grumble both loudly and repeatedly.

Well, I finally got it: Given a choice, I prefer things to stay the way they are. Even when things aren’t quite perfect, I’d rather not alter them. Better the devil you know …

I suspect my aversion to change is also why I have trouble editing my writing.
Of course I know there’s room for improvement, because there’s always room for improvement.

But where I have no trouble thinking of ways to change someone else’s prose, I often come up empty when I try to improve my own. Sure, I might tweak a word here and there, but I rarely do a complete overhaul.

I like to think it’s because I spend enough time crafting sentences the first time that they already sing.

In reality, I’m probably just being a little lazy and a lot resistant to change.

I’ll say it again, mostly to convince myself: Change is good.

As I delve into preparing for the 2011 Golden Heart contest, I’m going to keep that in mind.

Do you have any fail-safe, foolproof editing tips to share?

What I’m reading

Writers have to read, even if it means taking time away from writing to do it. I go through spurts of reading like a madwoman or writing like one. Rarely will I do both at once.

My book club just finished “The Help” by Kathryn Stockett.

Published in February 2009, it’s the story of three women — two black, one white — in 1960s Mississippi. They end up changing the world — or at least their small slice of it — with a book detailing the stories of the maids and families in their care.

It’s been getting  a lot of good press, and I understand why. It’s one of those stories that’s going to stick with me for a very long time. Powerful. Riveting. Disturbing to think that was the way things were — and not all that long ago.

I finished it in just a few days, reading early into the morning because I couldn’t wait to find out what happened next.

It’s not a romance, but it has a few tender moments. Other moments will break your heart or make you laugh out loud.

“The Help” doesn’t need a recommendation from little ol’ me, but it’s getting one anyway. If you haven’t already, check this one out. It might just change the way you see the world.

Meeting momentum

It always amazes me how attending my RWA chapter meeting recharges my creative battery.

Sure, it means a long day for me. I usually don’t get to bed until at least 2 a.m., and I’m up before 8 on meeting day. We meet from 10:30-ish to 2 p.m. and drive an hour and a half back home. Then I usually have to head into work and put in a full day there.

But I wouldn’t miss it. The chats while we’re carpooling are a great way to get new insights. And the meetings themselves always serve up something useful.

This time, we had a group critique: Several members submitted the first three pages of their WIP. Entries were read aloud, anonymously, then everyone shared their thoughts.

There wasn’t a single one that didn’t intrigue us enough to want to read more. That, of course, begs the question: Why haven’t any of us wannabes made a sale yet? But that’s probably a question best left for another post (in which I’ll rail against the publishing industry that depends so much on sheer luck. You have to be in the right place at the right time and know all the right people. Your MS could sparkle like the Hope Diamond, but if it crosses the desk when the editor’s having a bad day, too bad for you.).

Sure, a few of them had issues: Too much backstory, head-hopping. But the only way to improve is to have someone point out where you need improvement.

Our members are great at offering the right mix of encouragement and advice. I think (hope) we all left with a warm, fuzzy feeling — and some tips to take us another step closer to the ultimate goal of publication.

For my part, I realized (with feedback) the new beginning works really well. It was also pointed out I need a solid description of my hero in those opening pages.

As a side note, I had no idea Matt sounded so arrogant. But when you read it aloud, he sure does. He doesn’t remain arrogant throughout the novel, though, so I’m not sure what to do about that.

Since those first pages are in Meg’s POV, maybe we can chalk it up to her perception? He’s not really all that arrogant, she’s just in a bad mood, so she sees him as more arrogant than he really is?

I spent most of today working on a couple of scenes from Bethany and Cody’s story … 3,115 words written. I was surprised again, though: Beth’s mother sounds like a guest on “Jerry Springer.” She must be from Southern Illinois! 😉

It’s time for me to start polishing next year’s Golden Heart entries, though. My Orange Rose scores came back Friday. With those and Saturday’s feedback on the contemporary series story I want to enter, I’m ready to put the comments to good use.

A gentle nudge

Sometimes, all it takes is a little shove to get moving again. I received one  today, courtesy of one of my NARWA sisters.

Jacqui Jacoby was a guest blogger over at Seekerville. The topic? Surviving the Abyss. In it, she told the story of her lost year of productivity, sacrificed to the health gods because of a still-unidentified virus.

Now, I’m no stranger to lost productivity. In fact, until about a year ago, I may well have been the queen of thinking “I need to write” and then doing absolutely nothing about it. But I’ve picked up my pace lately, and am now entering contests, submitting queries and — most importantly — writing almost every day.

At least I was going like gangbusters until recently. The last month or so, since I hit my goal of writing 100K words by NARWA’s November meeting, I’ve been slacking again. I’ve only written about 8,000 words through most of June and into July.

Part of it is because I’ve been trying to get back into the swing of weight loss, and for some reason, I can’t seem to strike the right balance between the healthy lifestyle and my writing life. When I’m focusing on one, the other falls by the wayside.

I’ve also been in limbo: I’m waiting for responses to queries and results from a contest I entered. I’ve started work on a brand new story (Bethany and Cody’s tale), but it hasn’t yet taken off. (I think it’ll help once I get them out of Chicago and onto the island, but before I can get them to the island, I have to do at least a little research — and I’ve been putting it off.)

But Jacqui’s post today gave me the nudge I needed to do some writing. I realized how important it is to take advantage of every opportunity. So while I was at lunch today, I handwrote about a page and a half — and now I’m raring to get back to the computer to start writing again.

Thanks, Jax. I needed that!

Responsible romance?

A couple of weeks ago, the Ruby Slippered Sisterhood blog (one of my faves) was host to a sometimes heated discussion on safe sex in romance novels.

The author of the post, Kelly Fitzpatrick (who you might recognize from yesterday’s post), started the discussion by asking a few questions: “I ask myself, do I write to empower women or am I writing to entertain? Are we obligated to write responsibly? Or does the law of what happens in romanceland, stays in romanceland rule?”

There seems to be no consensus on the subject, at least among the Rubies and their readers.

Since reading that blog post — and the informative and entertaining comments that followed, I’ve been kicking this post around in my mind. It’s one of those things on my “I’ll do it when I get around to it” list.

Of course I believe in safe sex. In this day and age, when sex with the wrong person can end up killing you, is there anyone who doesn’t?

But do my characters practice safe sex? Umm … as they say in “The Wizard of Oz,” that’s a horse of a different color.

I have one set of characters (Brad and Erin) who just use a condom without any fuss or fanfare. I haven’t read through Cassie and Dustin’s story lately, but I believe they, too, just do it (condom use).

Then there’s Bree and Mike, the virgin and the pseudo-playboy. They’re both drunk when they make love for the first time, and their lack of protection doesn’t occur to either of them until weeks later. (First she realizes it, then he overhears her talking with her friends and thinks she’s pregnant.) It’s a huge part of the plot, because when he thinks she’s pregnant, he starts trying to get back in her good graces … after refusing to marry her just because she was a virgin.

When Kari and Damien, from “Blind Date Bride,” have sex for the first time, they’re already married, so no safe sex for them (even though they haven’t yet decided to stay married).

It hasn’t been an issue for Bethany and Cody either, since they’re already in a committed relationship when the story begins. I do know that Bethany has always been Ms. Safety in the past (and she does have quite the past), and Cody also believes in safe sex … but they’ve been dating for nine months and he’s thinking about marriage. Maybe I can handle the issue with a flashback to their first night together.

Meg’s already pregnant (by another guy) when she has sex with Matt, so condoms aren’t an issue for them, either.

She does question her judgment the morning after, when she wakes up alone because Matt had to leave her to go to practice. She wonders if she’s made a “monumental” mistake by sleeping with an almost-stranger. But she decides, “Nothing could be a bigger mistake than ending up pregnant and alone at her advanced age. And since she’d already done that, anything that came after had to be a step in the right direction.”

Drew and Lainy haven’t had sex yet, but they are teachers, so when the time comes, they should set a good example. (They’ve already set a bad example in other ways, though, so who knows?)

My stories are romantic comedies. And while the Rubies have some ideas about treating safe sex humorously, I don’t want to draw too much attention to the unfunny, unsexy side of my characters’ lives. Nothing ruins the mood faster than a red, flashing stoplight: “No glove, no love, buster!”

I guess what I’m trying to say is this: My characters “romance responsibly” when the plot calls for it … and when it doesn’t, they don’t. If that makes them irresponsible in the eyes of some, so be it. (I’ll just have to hope those some aren’t editors and agents who refuse to publish the story because of it.)

Ruminating

Isn’t that what they call it when you’re doing a lot of thinking but not much writing? 😉

I’ve been mulling the plot of Bethany & Cody’s story (tentatively titled “Trouble in Paradise” … like that hasn’t been used before! Thank goodness titles aren’t copyrighted.). I need to get them out of Chicago and onto that island paradise, but I don’t want to do it too soon — I have 90,000 words to work with here!

I’ve also been thinking about Meg & Matt. If I’m going to enter it in the GH in the “category romance” category, I still have to rework the beginning to throw them together on Page 1 (not Page 6 or wherever they meet right now.

Yes, even though I still love my current first line, it’s time to think about chucking it. The next few pages are all backstory explaining how dear Meg finds herself pregnant and alone at 32.

Why so much thinking? Mainly, I’ve been trying not to think about the copies of “Blind Date Bride” floating around out there. I know I’m in for a long wait. These things move at the speed of Heinz ketchup pouring out of the bottle — only fair considering how long it took me to finish the story in the first place.

More thoughts floating around in my brain involve a couple of blog posts I want to write. They should be fun, so stay tuned.