Ruminating

by with No Comment Bethany & CodyMeg & MattMusingsStories

Isn’t that what they call it when you’re doing a lot of thinking but not much writing? 😉

I’ve been mulling the plot of Bethany & Cody’s story (tentatively titled “Trouble in Paradise” … like that hasn’t been used before! Thank goodness titles aren’t copyrighted.). I need to get them out of Chicago and onto that island paradise, but I don’t want to do it too soon — I have 90,000 words to work with here!

I’ve also been thinking about Meg & Matt. If I’m going to enter it in the GH in the “category romance” category, I still have to rework the beginning to throw them together on Page 1 (not Page 6 or wherever they meet right now.

Yes, even though I still love my current first line, it’s time to think about chucking it. The next few pages are all backstory explaining how dear Meg finds herself pregnant and alone at 32.

Why so much thinking? Mainly, I’ve been trying not to think about the copies of “Blind Date Bride” floating around out there. I know I’m in for a long wait. These things move at the speed of Heinz ketchup pouring out of the bottle — only fair considering how long it took me to finish the story in the first place.

More thoughts floating around in my brain involve a couple of blog posts I want to write. They should be fun, so stay tuned.

Busy week

by with No Comment Progress

Not that I’ve gotten a whole lot of writing done (maybe a couple thousand words) … but I’ve been on the hunt for an agent for “Blind Date Bride.”

Exciting stuff, that.

Yay, Starbucks!

I also got some good news from Starbucks: I’ve used my gift card enough times to become a Starbucks Gold card member … and that means more free stuff. With as much time as I spend at the Bux, I deserve it!

I really do get more writing done when I get out of the house and sit at the cafe. It doesn’t matter whether I’m at my house or the Boyfriend’s, I’d rather sit at Starbucks with my laptop than try to write at home.

Enough talking about writing. It’s time for me to actually DO some before bed.

I did it!

by with One Comment Progress

No, I didn’t sell my MS … or even sign with an agent.

What I did do — no small accomplishment, let me tell you — is surpass my goal to write 100,000 words this year.

Yes, I said THIS YEAR — and it’s only June. Since NARWA’s word count challenge began in January, I’ve kept track of words written. My goal was to write 100,000 by our November meeting.

This afternoon, while sitting at Barnes & Noble, I hit 100,967. (I might not have been faithfully updating my “Word count countdown” widget in the sidebar, but I have been keeping track in my Excel spreadsheet.)

Thanks go out to Meg & Matt, Bethany & Cody, Bree & Mike and Cassie & Dustin, the characters that have helped me meet my goal. Thanks also go out to my NARWA sisters and the gals at the Ruby Slippered Sisterhood, all of whom have provided support and encouragement. I hope I can return the favor.

Of course, I’m not going to stop writing. Unofficially, I think I’ll push to write another 100K before the end of the year. With Bethany & Cody talking to me practically nonstop, it’s entirely do-able.

Surprise!

by with No Comment Bethany & CodyStories

I was enjoying a nice, quiet get-to-know-you lunch with my characters when Bethany dropped a bombshell.

Even in “Blind Date Bride,” I knew that Beth was different. She’s the one who tried to get Kari to get in touch with her inner tramp, and who told Kari, “Keep a man happy in bed and he’ll keep you happy out of it.”

Yes, my Bethany LOVES sex. She’s been around the block so many times the sidewalk was named after her. (It bothers her a little that she’s had more partners than Cody, even though he’s 3 years older, but it bothers her more that he’s more content to cuddle than burn up the bedsheets.)

While I was jotting notes about their appearances and history, Beth revealed something surprising. Scratch that: It went beyond surprising and landed smack-dab in the middle of  astonishing land.

It turns out Bethany had her first sexual experience at 14 years old. Wait — that’s not the surprising part. At 16, her mom kicked her out of the house for trying to seduce her stepfather. (It didn’t happen … it was all in mom’s head, but it still left Bethany estranged from her mom and kid sister.)  She moved in with her aunt to finish high school, then went off to college, where she met Kari (and spent a lot of time on her back, staring at frat house ceilings).

I have no idea what to do with that tidbit. Where does it fit into the story? Will she reconnect with mom? Will she finally realize that there’s more to a good relationship than great sex? (I think she has to … and in the realization, sex with Cody will go beyond great to soul-shattering.)

Anyway, nothing Cody has come out with is all that surprising. It’s not that I find him boring … in fact, he’s shaping up to be one of my favorite heroes (right behind Mike James and Damien). But so far, he’s pretty tame. There is something in his past, alluded to in Kari and Damien’s story, but so far, he’s mum about what it is.

A counselor for at-risk teens, he’s working long hours (which concerns Beth because he’s sometimes — often — too tired to get busy) in part to save up for an engagement ring. He believes actions speak louder than words (and thinks spending the day shopping tells Beth he loves her). Above all, he likes being comfortable, which is why he’s often content to cuddle. Even in high school, he wasn’t one of those guys who was always trying to get some.

I probably need to get to the bottom of that before I get too far into the story.

Right now, I’m in Chapter 3. And, to borrow a catchphrase from McDonald’s, I’m lovin’ it … surprises and all.

Chattering away

by with No Comment Stories

Bethany and Cody are chattering away in my head and I’m getting more and more antsy to start telling their story. Today, I spent an hour or so sketching out a basic plot.

Since I’m not much of a plotter, that’s already more plotting than I usually do for a book. I’m thinking it might be time to sit down and write.

Of course, if I do more pre-planning, it’ll make the actual writing easier, right? I keep hoping that’s the case. Usually, I just have a vague idea that something has to blow up in my characters’ faces … this time, I already have a great Black Moment in mind.

It’s been a busy weekend: I’m also doing some research on agents, in preparation to send out queries on “Blind Date Bride.” I’m excited about that story — and I believe in it.

Pitch, anyone?

by with 2 Comments Blind Date BrideStories

After reading agent Nathan Bransford’s blog post on the importance of having one-sentence, one-paragraph and two-paragraph pitches ready for your novel (you never know when you’ll run into your Dream Agent in an elevator, after all), I decided to take a stab at crafting some of my own.

One sentence: As the reluctant winners of a cable TV network contest, a painfully shy woman and an outgoing man — neither of whom are seeking a spouse — must marry and live together for 90 days, learning true love — not cold, hard cash — is the real prize.

One paragraph: Thanks to her meddling best friend, Kari Parker earns the dubious distinction of becoming the “Blind Date Bride” — sentenced by the judges in Romance TV’s “Get a Love Life” contest to meet and marry a complete stranger for 90 days. Unable to pass up the cash prize that she wants to help her parents’ failing restaurant, she finds herself saddled with a too-big, too-strong and too-friendly husband who reminds her way too much of the ex she’s been running from for years. Then Kari moves from the spare room to Damien’s bedroom to accommodate a camera crew filming a reality show of their “marriage” and realizes she doesn’t have a chance of making it through the 90 days with her heart intact.

Two paragraphs: Thanks to her meddling best friend, Kari Parker earns the dubious distinction of becoming the “Blind Date Bride” — sentenced by the judges in Romance TV’s “Get a Love Life” contest to meet and marry a complete stranger for 90 days. She agrees to do it because the prize money will save her parents’ foundering restaurant. Damien Walker didn’t enter the “Get a Love Life” contest, either — his buddy was hoping he’d win second prize, a trip for two to Club Med. But when a panel of romance experts says he has the worst love life in America, he realizes he has become too wrapped up in his veterinary practice. He sees his beautiful, bogus bride both as a lifeline to pull him out of his dull existence and a puzzle to solve.

The real fun begins when Kari moves from the spare room to his bedroom to accommodate the camera crew they agree to let film a reality show of their “marriage.” As Damien tries to figure out why Kari bolts every time they touch, she quickly realizes she’ll never make it through the 90 days without succumbing to his advances. Worse yet, she finds herself wanting to trust Damien and see if they can make their sham marriage real in every sense of the word.

I was pretty pleased with my efforts, especially when I had a chance today to use my longest pitch on an editor taking pitches on someone’s blog today.

Well, either I did a poor job communicating what I wanted to convey or “Blind Date Bride” isn’t as ready for querying as I thought, because the editor didn’t have a kind word to say. She said my plot was too far-fetched.

What, I ask you, is so far-fetched about a TV network coming up with a crazy, intrusive premise for a show and changing people’s lives? 😉

Maybe I just need to explain their motivations a little better … but this is the short version — even shorter than my one-page query. Hmm. What to do, what to do?

The dreaded synopsis

by with One Comment MusingsProgressSynopses

Saturday’s NARWA meeting went great, and — as usual — I came away inspired. Our guest speaker, Harlequin American author Cathy McDavid, presented talks on characterization and that bane of many writers’ existence (or at least mine), the synopsis.

I came away with some great tips, along with some worksheets that will likely prove very helpful. Among them:

  • One size synopsis does not fit all. Some publishers want a two-page one, others want a five-pager. To meet varying requirements, think of the synopsis as an accordion, expanding and contracting your description of the action.
  • When describing the action, you don’t want a chapter-by-chapter play-by-play. Pick six to eight turning points (such as their first kiss, first time to make love) and focus on those.
  • Mention more than once why they can’t be together and explain why they fall in love. Don’t forget to include how the hero and heroine have grown and/or changed.
  • Make every word count. Use power words (like scarlet instead of red) to evoke a stronger vision. For every sentence, ask, “Can I make this better? Shorter?”
  • Try to infuse your synopsis with the same tone as your book.

That last one I struggle with. (Oh, who am I kidding? I struggle with the synopsis from start to finish. If I could get by without ever writing one, I would.)  My synopses aren’t even half  as funny as the stories themselves.

Well, time to take another look at my synopsis for “Blind Date Bride.” One of the goals I set to finish before our July meeting is to submit at least two queries on “Blind Date Bride.”

The other is to write a query letter/synopsis for “Beauty and the Ballplayer.” I must be a glutton for punishment. 😉

Behind on my reading

by with No Comment Musings

I’ve been trying to catch up on my blog reading, and found Nathan Bransford’s great post on “voice.”

The post and the comments afterward are full of great stuff … but all of it combines to make me wonder if I have a developed “voice.” I’ve always thought I did, but I just might be wrong.

Interesting thought, I guess. Too bad I don’t have time to explore it right now. It’s time to get ready for the “day job” (really an afternoon/evening job).

Inspiration comes from the strangest places

by with No Comment Bree & MikeMusingsStories

I was out on a walk Saturday morning, listening to my iPod, when a song by my favorite band came on and it hit me: This could be Mike James’ theme song.

Mike, you might remember, is the hero in Bree & Mike’s story (the one with the crappy title). He’s the one who wants everyone to think he’s a playboy so he can avoid romantic entanglements with nice girls like my heroine … the one who doesn’t think he deserves a nice girl to love and love him.

The song that seemed to fit him to a T is Depeche Mode’s “Wrong.”

I reached the wrong ends by the wrong means

It was the wrong plan
In the wrong hands
The wrong theory for the wrong man
The wrong eyes on the wrong prize
The wrong questions with the wrong replies …

I was marching to the wrong drum
With the wrong scum
Pissing out the wrong energy
Using all the wrong lines
And the wrong signs
With the wrong intensity

When it comes to Mike, all true. Well, he does say the right things (at least the right things for an outrageous flirt), but for the wrong reasons.

I shouldn’t be surprised. Depeche Mode has been my favorite group since high school, and I often find ways to apply their lyrics to life. In college, I quoted “New Dress” (about how changing a vote can change the world) in some political science paper.

Now I’m wondering if this makes Mike more of an anti-hero. Oh, he’s definitely not as dark as Gareth, the alcoholic since age 14 who’s trying to escape his abusive father by taking refuge with my almost-as-messed-up heroine.

But Mike at least fancies himself a “bad boy,” courtesy of his past.

I love this story. I hope I can find someone who likes it as much as I do.

In limbo?

by with No Comment Blind Date BrideOSNBProgressStories

Sadly, not much writing has happened since Wednesday (and that writing didn’t count toward my Word Count Countdown, because it wasn’t actually writing on any of my WIPs).

This type of limbo is much more fun!

I’m at a certain point: Finished MS but no query or synopsis — and since our NARWA meeting next Saturday is on the dreaded synopsis, I’m kind of trying to hold out before working on one of those.

The query and synopsis on “Blind Date Bride” are mostly finished, but I’m still a little scared to send that one out there. I did get a rave review from one of my NARWA sisters, who described it as “delicious.”

With a review like that, why am I not sure? It’s probably plain old fear of rejection — again. I’ve already gotten tons of rejections on Brad & Erin’s story, so why would I expect this one to do better?

Well, it was written much later. Brad & Erin’s MS was my first, and even though I’ve edited it so much that parts hardly resemble the original draft, it could be that it’s just not good enough. Pat said she can tell a huge difference between that one and “Blind Date Bride,” that my writing has grown and changed.

So maybe it’s time to bite the bullet, finish the query/synopsis and send it out there. It’ll immediately expand my agent pool, since this one’s a single title instead of category.